I work with the weight of the simple. I stack volumes the way you build a short, inevitable sentence: wood, stone, time. I’m not chasing flawless finishes; I’m chasing material truth, the grain, the cracks, the tool marks, the evidence of touch. Form comes from reduction: less ornament, more presence. Light doesn’t merely reveal, it sculpts, cuts, and turns mass into silence and shadow into structure. Each piece becomes a totem of deliberate balance, a conversation between gravity and poetry, geometry and scar. Beauty here is not polished; it is lived.